Foreword

Ojārs Spāritis

5-7

Articles

Baltic Reflections

Thomas DaCosta Kaufmann

11- 22

Evidence of the Reformation and Confessionalization Period in Livonian Art

Ojārs Spāritis

23- 74

Swedish Church Art from the Introduction of the Reformation in 1527 until the Synod in Uppsala 1593

Inga Lena Ångström Grandien

75- 113

Configuring Virtue: The Emergence of Abstraction, Allegoresis and Emblem in Swedish Figural Sculpture of the Seventeenth Century

Simon McKeown

115- 148

DER KERCKRING-ALTAR VON JACOBUS VAN UTRECHT. LÜBECKER MEISTER VON 1520 AUS DER BREDERLOSCHEN GEMÄLDESAMMLUNG IN RIGA, HEUTE IM ST. ANNEN-MUSEUM DER HANSESTADT LÜBECK ALS STIFTUNG DER FAMILIE VON SENGBUSCH

Werner von Sengbusch

149- 174

Essays

A Genius and His Myth: The Known and Unknown Michel Sittow

Juhan Maiste

177- 221

Miscellanea

Die Gewölbekomposition der Kirche in Luggenhusen/Lüganuse

Kaur Alttoa

225- 237

What is Under the Paint Layer of the Rode Altarpieces?

Hilkka Hiiop

239-253

On Tõnis Tatar’s PhD thesis The Third Way in Soviet Estonian Art: Between the Avant-garde and the Power-minded

Holger Rajavee